The drummer’s lead vocals are a source of instant power, something he’s been doing his whole life. They were eventually joined by bassist-keyboardist Chris Solberg and rhythm guitarist Rob Polomsky for a groove-infused run at rock & roll with nods to the past and an eye on the future. In his home studio in Lake Tahoe, he worked with Russell Dashiell, who supplied lead guitar and also engineered and co-produced the sessions with Clifford. It is a revelation of someone who’s never stopped writing, singing and playing. After 25 years with Clifford and Cook’s band Creedence Clearwater Revisited, the man is releasing 10 songs that Doug Clifford originally recorded in 1985, and has finally been able to finish for release. Their sound together gave the songs of John Fogerty an always exciting propulsion that will live forever. But that’s not all that Clifford did: he and bassist Stu Cook created the integral bottom for what is one of the greatest American aggregations ever. Doug “Cosmo” Clifford supplied the drums in Creedence Clearwater Revival, and if nothing else was ever achieved his musical legacy would be complete. Everything was added on from there, but without it the songs will not spark. The music was born from a beat, and the snare is the very thing that supplied that do-or-die beat. Very often in rock & roll, a band’s spirit starts with the sonics of their snare drum. Circles stay unbroken.ĭoug “Cosmo” Clifford, Magic Window. Naturally the collection would end with the first song she remembers singing as a child: “He’s Got the Whole World in His Hands,” to bring it all back home. And that’s exactly what Marshall Chapman and producer Neilson Hubbard have done. SONGS I CAN’T LIVE WITHOUT is the kind of release an artist gets to make just once, and it better hit the bullseye right away. For a few years it looked like the singer-songwriter had hung up her musical shoes as she veered into dramatic film roles, but the artist’s musical mojo is such a defining aspect of her life there is no way she wouldn’t come blasting back into the recording studio. She expects nothing but the best from both herself and those she respects, and to include favorites by Otis Blackwell, Bob Seger, Bobby Charles, Chet Baker and others shows her strengths. But Marshall Chapman has always had the goods. Starting an album with Leonard Cohen’s “Tower of Song” is no trivial matter it shows a certainty of purpose that only the strong can suggest. The woman whose voice often sounds like it’s coming from the other side of the spirit world rounds up some favorite songs written by other people, and then puts her personal stamp on them so strong it’s like they’re chiseled onto a tombstone. this new Marshall Chapman album would be a good listening companion. Marshall Chapman, Songs I Can’t Live Without. When it’s time to throw some black cat bones and light the voodoo candles.
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